Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Emile Schuffenecker 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
54281		A Cove at Concarneau	mk235 1887 Oil on canvas 38.1x55.2cm
70579		Corner of a Beach at Concarneau	1887(1887) Oil on canvas 38.1 ?? 55.2 cm (15 ?? 21.73 in)
72513		Corner of a Beach at Concarneau	1887(1887) Oil on canvas 38.1 X 55.2 cm (15 X 21.73 in) cjr
74171		Coucher de soleil a Concarneau	Date 1887(1887) Medium Oil on canvas Dimensions 38.1 X 55.2 cm (15 X 21.73 in) cyf
11666		Fresne-Saint-Mammes	1851- Paris 1934 Head of a Youn Girl 1' 5 3/4'' x 1' 2 3/4''(45 x 37.5 cm)
74313		Le Square au Luxembourg	Date 1885(1885) Medium Oil on canvas Dimensions 84.5 X 100 cm (33.27 X 39.37 in) cyf
80158		Portrait de Madame Champsaur	1890(1890) Oil on canvas cjr
84063		Portrait de Madame Champsaur	1890(1890) Medium Oil on canvas cyf
74172		Rochers a Yport	Date 1889(1889) Medium Oil on canvas Dimensions 81.5 X 59.5 cm (32.09 X 23.43 in) cyf
72515		Rocks at Yport	1889(1889) Oil on canvas 81.5 X 59.5 cm (32.09 X 23.43 in) cjr
70580		The Square	1885(1885) Oil on canvas 84.5 ?? 100 cm (33.27 ?? 39.37 in)
72552		The Square	1885(1885) Oil on canvas 84.5 X 100 cm (33.27 X 39.37 in) cjr

Emile Schuffenecker

French Post-Impressionist Painter, 1851-1934 French painter. In 1871 he entered the stockbroking firm of Bertin, where he met Paul Gauguin who was also employed there. In his spare time he took drawing classes and studied with Paul Baudry and Carolus-Duran, making his debut at the Salon in 1874. He also became acquainted with Armand Guillaumin and Camille Pissarro. Following the stock market crash of 1882, he, like Gauguin, was forced to leave Bertin and gained a job teaching art at the Lycee Michelet in Vanves. In 1884 he was one of the co-founders of the Salon des Independants and took part in the 8th and last Impressionist Exhibition in 1886, the year in which he also met Emile Bernard in Concarneau and sent him on to see Gauguin, thus initiating their joint development of CLOISONNISM. Though he mixed with the members of the Pont-Aven group his own artistic tastes were very different. While Gauguin and his disciples had little more than contempt for Neo-Impressionism, Schuffenecker was much interested in pointillist techniques.

All the Alma Tadema's Oil Paintings

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